Media

Jennie Such media photo

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Credit: Photo of Jennie Such by Ann Baggley

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Production Photos

Jennie Such as Cherubino in The Marriage of Figaro, Opera Atelier

Cherubino, The Marriage of Figaro, Opera Atelier (with Natalie Paulin). Photo: Bruce Zinger

Jennie Such as Janine in Handmade's Tale, Canadian Opera Company

Janine, The Handmaid’s Tale, The Canadian Opera Company. Photo: Michael Cooper.

Johanna, Sweeney Todd, Calgary Opera (with Mark Pedrotti)

Donna Elvira, Don Giovanni, Opera Atelier (with Olivier Laquerre)

First Niece, Peter Grimes, Canadian Opera Company (with Andrea Ludwig)

Jennie Such as Susanna in Le Nozze di Figaro, Opera Ontario

Susanna, Le Nozze di Figaro, Opera Ontario (with Russell Braun)

Audio Soundbytes

Cover of Handel Isreal in Egypt CD
Handel: Israel In Egypt, HWV 54 - Part 3, Moses Song: Thou Didst Blow With The Wind (Soprano)
Bud Roach, Jennie Such, Etc.; Kevin Mallon: Aradia Ensemble

Handel 
Israel in Egypt
Aradia Ensemble, Kevin Mallon, conductor 
Jennie Such, Soprano
Naxos

Cover of Earth Chants CD
Missa Brevis: IV. Agnus Dei
Nicolo Eugelmi, Vancouver Chamber Choir, Jon Washburn, Jennie Such, Mariateresa Magisano, etc.

Earth Chants
Music of Imant Raminsh
Vancouver Chamber Choir, 
CBC Radio Orchestra, Jon Washburn, conductor
Jennie Such, Soprano
2002 CBC Records / 2008 Grouse Records

Michael Torke, The Contract with Jennie Such, Soprano
Michael Torke: The Contract, 17. Healing Scene
The National Ballet of Canada Orchestra, Ormsby Wilkins, conductor, Jennie Such, soprano

The Contract
Michael Torke
The National Ballet of Canada Orchestra
Ormsby Wilkins, conductor
Jennie Such, soprano
World Premiere recording of Michael Torke’s music for a ballet by James Kudelka

  • “Such emitted shining tones, soaring with glowing conviction.”

    Toronto Star

  • “Such was the sweet yet clever Susanna that Mozart envisioned.”

    Kitchener-Waterloo Record

  • “Such sang “Ihr habt nun Traurigkeit” (Brahms – Ein Deutsches Requiem) with melting beauty of tone, her silvery instrument powerfully and movingly conveying the aria’s warmth and sublime tenderness.”

    The Globe and Mail

  • “But it was Jennie Such as Seleuce who gave the most memorable performance, acting with tenderness and singing with a sound at once bright, gentle and intense.”

    The Guardian (U.K.)

  • “As for Such, she’s even more impressive – a wonderful soprano voice, agile with long lines lavish with baroque decoration... she’s a find.”

    The Vancouver Sun

  • “Jennie Such is a delight as Cherubino. Not only is she blessed with a bright, beautiful voice, but she plays a boy with jaw-dropping aplomb.”

    Eye Magazine